Womanless weddings of the 1950's at Pilot Mountain School were not designed toward a particular agenda. They were productions, elaborate affairs complete with "bridesmaids." All men. The "bride" (usually the biggest man in the community) wore a white dress and full veil. The "groom" (usually the smallest man in the community) wore his Sunday best.
It cost a quarter to watch. Yes. This was a school fund raiser. Better than selling candy or wrapping paper.
I mention it because this week my critique group went over my chapter seven with me. All was well (yeehaw!) except one thing. "What in the world," my raised-in-Southern-California critiquer asked, "is a womanless wedding?"
Funny how a few words in a paragraph bring out so much emotion and misunderstanding. She figured out the procedure. She figured out the participants. She couldn't figure out the culture behind it.
I don't know if I can explain it other than it was just a part of the innocence of the fifties. When we superimpose our current value system on a past system, things might not make sense. That's the beauty of this project. I don't have to explain or justify or defend. I just have to show a culture with all its fragments.
And then there were the Tom Thumb weddings. Surely you've heard of those.
Catch of the day,